On a mission: Tim Bowtell is on a mission to turn a plain silo in Katamatite into an eye-catching piece of art.
Photo by
Gabriel Garcia
It’s not easy painting a silo.
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Just ask Tim Bowtell, who is currently painting the silo at Katamatite.
The mural painter has been a new addition to the Katamatite community, as he turns an otherwise plain-looking silo into an eye-catching work of art.
The Moira Shire silo isn’t Mr Bowtell’s first rodeo, so to speak, with the well-known mural artist having been in the industry since 2005.
“(My first mural) was on the side of Stolz Furnishings in Benalla,” Mr Bowtell said.
Art and painting have always been a passion for Mr Bowtell, and he has travelled across the state painting on various buildings and structures.
Telling a story: The mural will depict the history of the area, from pre-colonisation to the modern era.
Photo by
Gabriel Garcia
“I was just always painting on canvases and I just wanted to go larger,” he said.
“I think my mum put the idea in my mind about mural painting years and years ago, so it just sort of developed out of my art practice.”
Mr Bowtell said having a passion for murals was the most important element of his job, as it wasn’t easy.
That passion changed Mr Bowtell personally. Because prior to painting big murals he was afraid of heights.
“I had to get over my fear of heights. And that was purely because I just wanted to do it. I want to paint these large-scale murals, so I just had to get over it,” he said.
Even without a fear of heights, mural painting is a challenge.
“I grid up the photo I’m painting from. It’s all designed on computer. A committee approves it. Then I put a grid over it, like squares,” he said.
“I'll rule the silos up into squares, obviously much larger squares that are about a metre by a metre, and then concentrate basically on what’s on each in each square.”
Grid: Mr Bowtell divides his ‘canvas’ into one metre by one metre squares in order to make painting more efficient.
Photo by
Gabriel Garcia
As for the hardest things to paint, Mr Bowtell highlighted non-natural objects such as trains, planes and automobiles.
Along with the obvious painting skills, Mr Bowtell said being a good mural painter required strong interpersonal skills and the ability to deal with physical discomfort.
“You’ve got to be good with people ... You know, to communicate and get their ideas into a subject,” he said.
As for what he plans to do after he has finished with the Katamatite silo, Mr Bowtell has a job lined up in the west of Victoria, painting a water tower.
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